In other words, the polarity switch might have a strong and predictable effect at say.
Switching the polarity of the return is only going to change the comb filter cancellation/doubling at the frequencies that coincide with that length of delay. I was going to suggest Parrotspain’s approach, but he beat me to it.īut the thing I couldn’t get past was the overall concept. It was so slight though that I could only hear it by isolating the track, as soon as I put some music to it, it wasn’t noticeable at all.Īlso, the pitch shift method had a little bit less comb-filtering in stereo than the Ping-Pong phase reversal method, but that difference went away pretty much when I applied the hi cut filters to the panned Ping and Pong. The 1st method (i.e., the pitch shift one) had a definitely noticeable, but very slight (to my ears) instability in the stereo image … it seemed like it shifted around a little bit. Not so much for mono issues, but comparing the two methods (again, I’ve only done this on one track): I also applied a LPF to both of the panned tracks, so maybe that helped the one that was simply delayed/panned hard Left to not comb-filter too much with the source track panned down the center.ģ) It makes me want to go back to the panned pitch-shifting/differential delay method, and reverse the phase of one side and see if that works. FWIW, it’s been described as doing well when collapsed to mono, and I didn’t find anything to contradict that. I guess the phase reversal protects against comb-filtering to a nice degree. The 2nd one collapsed to mono pretty well, to be honest.The pitch shift and differential delay collapsed to mono not great, but certainly better than a simple Haas delay.On the one vocal track I did these two wideners on: On the other hand, I’d be interested to hear how mono-compatible such a configuration would be (same with your original scenario ).Īh, the old Mi圆to2! More than just a mono button workaround for those who don’t use the Control Room! (Years ago you helped me to do that, I’ve still got that preset in there somewhere, I believe!) I had no idea/recollection it did phase reversal too, leave it to you to remember that! Well, you could, instead of putting the delay on an Insert on the vocal track, use a Send on the vocal track, routed to a stereo Group, with the delay inserted on that, and then insert the Cubase Mi圆to2 plugin on the Group, where you can invert the phase of just the Right channel, if you wish.
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